7/14/2023 0 Comments Supercollider tutorial pdfIt also devotes chapters to artificial intelligence applications like the smart sensing of real-time musical cues that enable an algorithm to "improvise."īut musicians had better be ready to geek up. It details such procedures as collating input from a computer mouse, tablet devices, and video-game controllers like Nintendo's WiiMote. I don't know, but that's the whole point: You can ask that question and SuperCollider will take you there."Ĭottle is one of three coeditors of a new edition of The SuperCollider Book- a manual for the free and open-source SuperCollider language. Generating new music based on those probabilities could result in the next step in music evolution. "For example, you might create a virtual composer from scratch, entering into a database the probabilities from existing digitized scores of current avant-garde composers. "What SuperCollider allows a composer to do is pursue a progressive ethic of asking the question first, then discovering the outcome," he says. As it happens, one of the two leading musical programming languages, Max, has recently been retooled, while the other, SuperCollider, finally has its own definitive programmer's manual.Ĭottle brags that a musical algorithm can manipulate composers' entire canons or styles of music. Unlike the pipe organ, the computer needs software in the form of a programming environment. It'll take your directions as you wouldn't have expected-which might be interesting and fun." ![]() "A computer is powerful and accurate and ignorant. ![]() ![]() "Bach would be all over this," says David Cottle, associate professor at the University of Utah's School of Music. The gadget of choice for today's musical hackers is the personal computer. The 18th century's greatest hacker, Johann Sebastian Bach, composed much of his algorithmically inspired music on the sonic geek's gadget of choice: the adjustable and reconfigurable pipe organ. The SuperCollider Book Edited by Scott Wilson, David Cottle, and Nick Collins MIT Press, 2011 680 pp.
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